![]() In “Kokomo,” as in several other stories, Pitt plays with the line between realism and surrealism: the town hums, a woman sees apparitions of dogs, a rebel leader in a war-torn country hires a mercenary anthem-writer, a Parisian accountant channels the spirit of a recently dead anarchist. “Even if it’s only ten of us who hear the noise, I have to believe He’d spare us.” Here, paying attention is literally the key to survival. “I can’t believe He’d sweep the whole town away,” he says. warns that God is about to cleanse the world unless more people pay attention. They start as the usual childhood fears but transform over several years into apocalyptic visions à la Sodom and Gomorrah. A young boy, J.J., begins to have nightmares triggered by the noise. In “Kokomo,” a small Indiana city emits a low-grade hum that only some people can hear, or, more accurately, to which only some people are paying close enough attention to notice. In lieu of an abstract, here is a brief excerpt of the content:ġ59 Book Notes ety as a whole seems distracted. ![]()
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